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It tells them, This is your place within the world. Even though it was not an overnight success, the album has gone on to become one of the most iconic rock albums of all time, inspiring more and more imitators with each passing decade. The standardized height of kitchen counters and sinks is based around an idealized (albeit unrealistic) female body: 5 feet and 7 inches.[35] This construction makes domestic labor uncomfortable for men and discourages them from doing kitchen work.

Because there is little separation between where traditionally domestic and meaningful artistic work takes place, then Robert can feel more “at home” within the domestic sphere. 

It is also important to note that Smith deconstructs heteronormativity in her home through their arrangement of space. In many ways, the song represents the theme and musical style of the entire album in a single track, building on rifts from the previous songs to create a new melody, incorporating elements of Fats Domino’s ‘Land of a Thousand Dances’, and opening the door to an American mythology that is very much Smith’s own.

‘Elegie’ winds the album down with a penultimate quietness.

Tables are both objects that allow the family to “cohere as a group” as well as spaces that make gatherings possible. As Maurice Beebe argues, the protagonist of the artist’s novel must “test and reject the claims of love and life, of God, home, and country, until nothing is left but his true self and his consecration as artist.”[4]  For this reason, it may seem contradictory that the setting of Just Kids is often domestic, centering around the homes that Patti and Robert build together (first in Brooklyn, then at the Chelsea Hotel).

When Patti begins to date another person, she notes that “Robert felt like he was part of the equation.”[53] Furthermore, Smith sees Robert’s partner David as part of both her life and his, stating that “our life seemed easier with David in it.”[54] The unit of Patti and Robert does not end as much as morph and even expand. Beyond this, though, Smith’s relationship with Mapplethorpe subverts heteronormativity with its flexible, fluid, and forgiving nature. 

Patti Smith is not the lesbian icon I initially understood her to be, yet her life, persona, and art still queered expectations.

Patti’s friendship with Matthew Reich, a musician with a “Dylan fixation,” inspires Patti to put her poems to music, while it is at Sandy’s suggestion that Robert picks up a camera.[49] The artistic pursuits that Patti Smith and Robert Mapplethorpe become most well-known for (music and photography, respectively) are not born out of their relationship with each other, but with others at the Chelsea Hotel, proving that the other residents of the hotel offer benefits that Patti and Robert cannot offer each other.

Living at the Chelsea Hotel also exposes the inadequacy of Patti and Robert’s sexual relationship, allowing them to end their sexual partnership and reimagine the nature of their relationship.

Arguably, even a romantic bond between a gay man and a straight woman queer expectations. Home, she comes to realize, might not consist of a couple, but of a community of artists looking out for each other. The pair eventually permanently ceased to cohabitate and both found long-term domestic partners in others, yet even then they were closer than any typical model of mixed-gender friends.

Sexual energy pervades many photographs of the artist, despite their general absence of feminine erotic signifiers. What do you mean she’s straight? Smith thus seems to view the two actions (childbirth and creating art) as being closely related, made evident not just by the thematic and proximal parallel between the scenes, but also by the language Smith uses to describe Robert’s trip and artmaking.

In truth, all of us uniquely operate within the complex and ever-changing landscapes of gender and sexuality. ‘Land’ begins as the story of a severely bullied boy, Johnny, who starts to have visions of mystical horses on the last day of his life. While Patti and Robert lived a self-contained life in their Brooklyn apartment, acting as each other’s muses and collaborators, their artistic networks were quite limited, consisting mostly of each other.  The Chelsea Hotel has an undeniably positive effect on the two, as both of their artistic careers are improved by expanding their circles and forming relationships with other inhabitants.

Smith has long-held a unique, androgynous sense of fashion. Mapplethorpe's legacy continues to inspire countless artists and photographers, even decades after his passing.

James Patrick Carraghan

James Patrick Carraghan is an award-winning activist, writer, librarian and student at Kutztown University in Pennsylvania.

A Pretty Little Place: Patti Smith's "Just Kids" and the Artistic Domestic Space

Toward the end of Just Kids, the iconic queer photographer Robert Mapplethorpe, now on his deathbed with AIDS, tells his once partner Patti Smith: “We never had any children.”[1] This yearning for heterosexual parenthood is a strange statement coming from an artist who pushed the boundaries of queer representation in art, invoking the anger of Congress and heterosexual America in the process.

Smith’s decision to become an artist follows an extended passage describing her giving birth to her first child, which she put up for adoption. They found solace in each other's company, becoming romantically involved while sharing a small apartment and pursuing their individual artistic dreams. After ingesting LSD, which he hopes to use as a stimulus for drawing, Robert feels the initial sensation of the drug in his stomach: “he traced the thrill and fear blossoming in his stomach.” He then clenches “his teeth,” pants, and drops “to his knees.”[18] The scene culminates with the emergence of his creation: two drawings.

is patti smith gay

A similar attitude was struck with ‘Kimberly’, a later track on the album that doesn’t quite match the power of the others.

Following ‘Gloria’, ‘Redondo Beach’ takes its name from a beach in California that was popular with the queer population at the time.